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Education

The Free Schools of Music

Last reviewed: August 30, 2026VerifiedEducación

In short

Act 365-1946 declares it public policy to achieve, within a methodical plan of popular teaching, a continued movement of artistic dissemination and an environment favourable to the cultivation of musical art, and to that end creates three free schools of music to be established in the cities of San Juan, Ponce and Mayagüez. That same Article 1 names the courses: solfège, music history, harmonic analysis and musical construction, instruments, singing and instrumental ensemble; and provides that starting bands among the students who already have musical knowledge when classes begin shall be compulsory, as the base for later forming orchestras. Reorganisation Plan No. 4 of 1950 substituted the Board of Directors with the Secretary of Education, who today appoints the directors, formulates the regulations and approves the study plan prepared by each school’s faculty; professors are appointed by competitive examination. Since Act 190-2014, every candidate for director must hold at least a master’s degree in School Administration and Supervision, in Educational Leadership or in Educational Management and Leadership, with an emergency route certified by the district’s School Superintendent. What this Act does not publish matters as much as what it does: it sets no age, admission requirements, audition, enrolment period, cost or address for the schools.

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What is it?

They are three public schools dedicated exclusively to teaching musical art, created by statute in 1946 and located by the statute itself in San Juan, Ponce and Mayagüez. The Act sets their mission, names the subjects taught, orders bands to be formed among students who arrive with musical knowledge, and puts the Secretary of Education in charge of appointing directors and professors and approving the study plan.

Who can do it?

This Act does not publish who may enrol. It sets no minimum or maximum age, requires no residence, describes no audition or entrance examination, names no enrolment period and imposes no academic requirement on the student. The only thing it says about the student body is that bands are started among the students who already have musical knowledge when classes begin, which suggests those without it are also admitted, but the Act does not say so in those words and we do not assert it on its behalf. Admission requirements must be requested from the Department of Education or the school; they do not come from this text.

Requirements

  • The three free schools of music are established in the cities of San Juan, Ponce and Mayagüez (Article 1).Verified against the official source
  • The courses comprise solfège, music history, harmonic analysis and musical construction, instruments, singing and instrumental ensemble (Article 1).Verified against the official source
  • Starting bands among the students who already have musical knowledge when classes begin is compulsory, as the base for later forming orchestras (Article 1).Verified against the official source
  • The study plan is drawn up by each school’s faculty and submitted first to the Secretary of Education’s approval (Articles 4 and 6).Verified against the official source
  • Every candidate for director must hold at least a master’s degree in School Administration and Supervision, or in Educational Leadership, or in Educational Management and Leadership (Article 3).Verified against the official source

Documents you need

Cost

Check the current cost with the official agency.

Step by step

  1. Step 1: What they are and where they are

    Article 1 creates three free schools of music and locates them by statute in the cities of San Juan, Ponce and Mayagüez. They are dedicated exclusively, the text says, to the mission of developing and channelling our people’s innate artistic sensibility, through a systematic plan of teaching, learning, experimentation, dissemination and promotion of musical art. There are three and they are those three: the Act authorises no others and describes no way a new one would open.

  2. Step 2: What is taught, per the Act itself

    There is no need to guess the curriculum because Article 1 names it: “The courses shall comprise classes in solfège, music history, harmonic analysis and musical construction, instruments, singing and instrumental ensemble.” And it adds an obligation that says much about how the schools work: “Starting bands among the students who already have musical knowledge when classes begin shall be compulsory, as the base for later forming orchestras.” That is, whoever arrives already knowing music joins a band early, and the orchestras come out of those later.

  3. Step 3: Who is in charge today: the Secretary of Education

    Article 2 appears “Omitted” in the compilation, and the OGP compiler notes in brackets that Reorganisation Plan No. 4 of 1950 substituted the Board of Directors with the Secretary of Education. With that, Article 3 places in the Secretary the appointment of a director for each school, choosing the candidate who in their judgement has the best conditions of fitness, capacity and experience; the director so appointed may designate the auxiliary personnel they deem necessary and regulates discipline and internal order. Article 4 gives the Secretary the formulation of the regulations and the power of appointment and separation of directors and professors, and provides that professors be appointed by competitive examination.

  4. Step 4: The master’s requirement to direct, and the emergency route

    This is the layer Act 190-2014 added. Every candidate for director must hold at least a master’s degree in School Administration and Supervision, or in Educational Leadership, or in Educational Management and Leadership. If a recruitment emergency arises requiring consideration of someone without that minimum, the School Superintendent of the district where the school sits must certify to the Secretary that recruiting personnel with the minimum requirements has been impossible, and send a list of the teaching personnel in office with their academic degree and years of service. Before considering that person, the Superintendent must check at the other free schools of music whether there are teachers with the minimum who want the post. And if there are but they are not interested, a notification signed by the Superintendent documenting it must be attached to the certification.

  5. Step 5: The faculty and the study plan

    Article 5 says what each school’s faculty may comprise: teachers of solfège, harmony, singing, music history and music appreciation, string instruments, woodwind, brass and percussion instruments, orchestra teachers and piano teachers. It requires them to cooperate among themselves to achieve the greatest number of students and their most perfect preparation, and provides that they receive decorous salaries allowing them to live exclusively dedicated to their teaching work. Article 6 charges that same faculty with drawing up the study plan to govern its school, submitting it first to the Secretary of Education’s approval. The faculty makes the plan; the Secretary approves it.

  6. Step 6: Where classes are held, and where the money comes from

    Article 7 allows the classrooms of Puerto Rico’s public schools to be used for the free schools’ music classes “during their initial period, with a view to building their own and more adequate buildings in the future.” Article 8 appropriated $50,000 for the upkeep and promotion of the three schools during fiscal year 1946-47 and to acquire the most pressing music library and instrumental equipment, and provided that a report with the three schools’ expense budget be prepared and submitted annually to the Governor and the Auditor, through the Budget Bureau Director, for inclusion in the general appropriations act. That $50,000 appropriation was for a 1946 fiscal year: it is not today’s budget and we do not present it as one.

  7. Step 7: How to enrol: this Act does not say

    We say it plainly because it is what people look for most. Act 365-1946 publishes no minimum or maximum age, requires no residence, describes no audition or entrance examination, sets no enrolment period, names no documents for the student to present, imposes no cost and gives no addresses, telephones or portals for the three schools. Nor do we read the word “libres” (free) in the name as a declaration that tuition is free: the Act does not say so, and we will not assert it on its behalf. To enrol you must ask the Department of Education or the school; the procedure does not come from this text and we do not invent it.

Where to do it

The three schools are, by the Act’s own provision, in San Juan, Ponce and Mayagüez. The agency in charge is the Department of Education: since Reorganisation Plan No. 4 of 1950 the Secretary of Education substituted the Board of Directors and appoints the directors, formulates the regulations and approves the study plan. The Act publishes no postal addresses, telephones, forms or portals for the schools, and we do not guess government internet addresses.

How long it takes

Check the current processing time with the official agency.

What to do if something goes wrong

What we did not read and therefore do not publish: Reorganisation Plan No. 4 of 1950, which the compiler identifies as the instrument that substituted the Board of Directors with the Secretary of Education; Act No. 190 of 20 November 2014, which contributed the master’s requirement and the recruitment emergency route; and the regulations Article 4 charges the Secretary with formulating, where admission and enrolment would reasonably live. Of those we report only what this text says. Five gaps, said clearly. First, there are no admission requirements of any kind: no age, no residence, no audition, no examination. Second, there is no enrolment period or procedure. Third, there is no cost: the name “free schools” is not a declaration of gratuity and we do not treat it as one; cost is unverified. Fourth, there is no term for anything, so processing time is unverified too. Fifth, there are no addresses, telephones or portals for the three schools. A note on the money: the $50,000 in Article 8 was an appropriation for fiscal year 1946-47 and does not describe the present budget. And a precision about the bands: Article 1 makes them compulsory among students who already arrive with musical knowledge, not among the whole student body.

Common mistakes

  • Reading “libres” (free) as “free of charge”: the Act does not say what a student pays, and we do not assume it.
  • Looking in this Act for admission requirements: it sets no age, residence, audition or entrance examination.
  • Expecting an enrolment period in the text: the Act establishes none; that comes from the Department of Education.
  • Believing there are free schools of music in more cities by statute: Article 1 names three, San Juan, Ponce and Mayagüez.
  • Thinking the band is compulsory for the whole student body: Article 1 makes it compulsory among those who already have musical knowledge at the start.
  • Citing the $50,000 as the current budget: it was the fiscal year 1946-47 appropriation.
  • Assuming the Board of Directors still exists: Reorganisation Plan No. 4 of 1950 substituted it with the Secretary of Education.
  • Believing the director sets the study plan: the faculty draws it up and the Secretary of Education approves it.
  • Taking for granted that any teacher may direct the school: since Act 190-2014 at least a master’s in school administration and supervision, educational leadership or educational management and leadership is required.

Frequently asked questions

Where are the free schools of music?

Article 1 creates three and locates them in the cities of San Juan, Ponce and Mayagüez. The Act publishes no postal addresses or telephones for them.

Is studying there free?

The Act does not say. The name speaks of “free” schools, but the text sets no tuition, fee or cost of any kind for the student, so we leave it unverified rather than assume it.

What subjects are taught?

Article 1 names them: solfège, music history, harmonic analysis and musical construction, instruments, singing and instrumental ensemble. Article 5 adds what teachers the faculty may comprise, including strings, woodwind, brass, percussion, orchestra and piano.

How do I enrol my child?

This Act does not publish the procedure. It sets no age, requirements, audition, documents or enrolment period. Article 4 charges the Secretary of Education with formulating the regulations, and that is where such detail would reasonably sit; it must be requested from the Department of Education or the school.

Do you need to know music to get in?

The Act does not require it. What Article 1 says is that starting bands among the students who already have musical knowledge when classes begin shall be compulsory, as the base for later forming orchestras. That orders what to do with those who arrive knowing, it does not close the door to those who do not; but the Act does not describe admission and we do not complete it.

Who runs these schools?

The Secretary of Education, who substituted the Board of Directors under Reorganisation Plan No. 4 of 1950. They appoint a director for each school, formulate the regulations, appoint and separate directors and professors — the latter by competitive examination — and approve the study plan the faculty prepares.

Official sources

These are the government pages this guide is based on.

Last verified

August 30, 2026

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