In short
Act 55-2012, the “Moral Rights of Authors Act of Puerto Rico,” recognizes exclusive rights of an author over their work that exist by virtue of the deeply personal relationship between author and work and that arise the moment the author fixes the original work in a tangible medium of expression. There are four: the right of attribution, to recognition as author and to prevent works not theirs being attributed to them, including deciding whether disclosure happens under their name, a pseudonym or anonymously; the right of retraction, to renounce authorship when the work no longer matches their intellectual or moral convictions; the right of integrity, to prevent mutilation, deformation or alteration of the work in a way that harms their legitimate interests or reputation, to prevent the public presentation or distribution of a work so altered, and to prevent the culpable or negligent destruction of an original or of a unique copy; and the right of access, to demand reasonable access to the original work or unique copy when it is in another’s possession. Moral rights last the author’s life and seventy (70) years after death, or until the work enters the public domain, whichever comes first. They are generally not waivable, although the author may waive the right of integrity in whole or in part by signed written document. They exist independently of registration, but registration is prima facie evidence and allows claiming statutory damages of no less than $750 and no more than $20,000 per violation per registered work.
What is it?
They are the rights an author keeps over their work even after selling or assigning its economic exploitation: to be credited, to have the work not disfigured, not destroyed, and to be given access to it. Our Intellectual Property Registry guide explains how to register a work; this one explains what rights you have and what remedies exist when someone tramples them.
Who can do it?
The natural person who generates a work: an original literary, musical, visual (plastic or graphic), dramatic or performing-arts, artistic, or any other kind of creation produced with intelligence and that is creative, expressed in a tangible medium currently known or invented in the future. The person appearing as such on the work by name, signature or identifying mark is presumed the author, absent proof to the contrary.
Requirements
- Being the natural person who generated the work; the rights arise the moment the author fixes the original work in a tangible medium of expression.Verified against the official source
- That the work not be a “work made for hire,” which generates no moral rights absent a signed written agreement to the contrary.Verified against the official source
Documents you need
Information pending verification.
Cost
Step by step
Step 1: The rights exist from the moment you fix the work
They do not depend on registering it. The law says they arise the moment the author fixes the original work in a tangible medium of expression, and repeats it in the publicity article: moral rights exist independently of registration, and registration is not a requirement to exercise and enforce moral rights.
Step 2: The four rights, and the one almost nobody knows
Attribution, retraction, integrity and access. The integrity right goes further than people assume: beyond preventing mutilation, deformation or alteration that harms your legitimate interests or reputation, and preventing a work so altered from being publicly presented or distributed, it includes preventing the culpable or negligent destruction of an original or unique copy of the work. And the access right lets you demand reasonable access to the original work or unique copy when it is in another’s possession, in order to exercise any of your author’s rights; it does not entail moving the work, and access shall be in the manner least inconvenient to the possessor, who is indemnified where applicable for the expenses incurred.
Step 3: How long they last
Moral rights last the author’s life and seventy (70) years after death, or until the work enters the public domain, whichever comes first. Upon the author’s death, exercise belongs to the person the author expressly designated in writing; failing that, to the heirs.
Step 4: What you can waive and what you cannot
In general, moral rights are not waivable. There is one exception: the author or their successor in interest may, by signed written document, waive the right of integrity in whole or in part, and that waiver may be made using an electronic signature. It may be granted at any time and is valid even if the work was created before the law took effect. In a joint work with two or more authors, the waiver of one of them is sufficient, absent agreement to the contrary — an important fact if you collaborate.
Step 5: Work made for hire generates no moral rights
It is the rule that most surprises people working under contract: a work created as “work made for hire” generates no moral rights, except where so provided by signed written agreement. This includes work created by an employee in the regular course of their duties, as well as work created by an independent contractor under that figure, which the law defines by a closed list of uses — contribution to a collective work, part of a motion picture or other audiovisual work, translation, supplementary work, compilation, instructional text, test, answer material for a test and atlas — and provided the parties expressly agree in a signed writing that it will be considered work made for hire.
Step 6: When you cannot invoke them
The author or successor in interest may not invoke moral rights when the work is legitimately used for purposes of criticism, parody or commentary, news, educational or research purposes. To determine whether a use is covered, the totality of the circumstances is considered, including the purpose of the use, the nature of the work, and the size and substance of the portion used in relation to the work as a whole.
Step 7: The remedies, and what registration adds
A violation entitles the author or their successors to seek temporary or permanent injunctions to vindicate their rights, to compensation for damages and to obtain monetary indemnification. And here is the concrete advantage of registering: for a registered work, and where the violation is principally aimed at generating commercial or economic benefit, the author may opt to ask the court for statutory damages instead of actual damages, in an amount of no less than $750 and no more than $20,000 per violation per registered work, at the court’s discretion, calculated on the number of registered works and independently of the number of copies. If the case is resolved in favor of the author of a registered work, the court shall always set costs, fees and litigation expenses in their favor.
Step 8: You have three years
Any action or proceeding brought to enforce any provision of this law must be initiated no later than three (3) years from the date the affected person knew or should have known of the arising of the facts giving rise to the cause of action.
Where to do it
The Intellectual Property Registry is attached to the Department of State and is where a work is voluntarily registered; how to do it is in our Intellectual Property Registry guide. Remedies for a violation are sought in court. If your concern is the use of your image rather than your work, that is the right-to-one’s-image guide; and if it is a trademark or trade name, that is another guide.
How long it takes
What to do if something goes wrong
What it covers and what it does not. This law is about moral rights — the deeply personal relationship between author and work. The economic exploitation rights, which is what most people call “copyright,” are the federal copyright system’s business, which we did not read and about which we make no claims. What we also did not read: Act No. 96 of July 15, 1988, which created the Registry and which this law maintains, and the Intellectual Property Registrar’s regulations, which set the fee for submitting a work and the additional fee for registering it. That is why cost is left unverified: the law provides those fees be charged but does not publish their amounts. Nor did we read case law, so we do not interpret how courts apply the criticism, parody or commentary exception. One detail of the text worth not overlooking if you work in a team: in a joint work, the waiver of the integrity right by only one of the authors is sufficient, absent agreement to the contrary.
Common mistakes
- Believing you must register the work to have moral rights: they exist from the moment you fix it in a tangible medium.
- Waiving without reading: only the integrity right is waivable, and by signed writing.
- Assuming a commissioned contract leaves you moral rights: it generates none absent a signed written agreement.
- Forgetting the access right: you may demand reasonable access to the original or unique copy in another’s possession.
- Confusing moral rights with economic rights: the latter belong to the federal system.
- Letting the three years lapse from when you knew or should have known of the facts.
Frequently asked questions
Do I have moral rights if I did not register the work?
Yes. Moral rights exist independently of registration and arise the moment the author fixes the original work in a tangible medium of expression. Registration is voluntary and declarative; its practical advantage is serving as prima facie evidence and allowing statutory damages claims.
Can I waive my moral rights?
In general they are not waivable. The only exception is the integrity right, which the author or their successor may waive in whole or in part by signed written document, including with an electronic signature.
How much can I claim if my rights are violated?
You may seek injunctions, compensation for damages and monetary indemnification. If the work is registered and the violation is principally aimed at generating commercial or economic benefit, you may opt for statutory damages of no less than $750 and no more than $20,000 per violation per registered work, at the court’s discretion.
What if my work is destroyed?
The integrity right includes preventing the culpable or negligent destruction of an original or of a unique copy of the work.
Official sources
These are the government pages this guide is based on.
- Departamento de Estado de Puerto Rico
Departamento de Estado
bvirtualogp.pr.gov
- Department of State
Departamento de Estado
estado.pr.gov
Last verified
August 24, 2026
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